ANGELA B. PAN

So excited to see that fall has FINALLY arrived in Shenandoah National Park. I’ve been waiting for all of October for the leave to change. Except the visibility was very low while we were there.

Yesterday my friend, Larry and I met really early in the morning to head to the Thorton Gap entrance at Shenandoah National Park. As I was pulling out of my neighborhood I could see that it was already a little foggy  where we live but the more west we went, the foggier it got. It was so exciting. Y’all know how much I love shooting in the fog. It’s my favorite weather to shoot in! But once we got there, it was SUPER foggy. Like whiteout. Sunrise is around 7:20 but we couldn’t really see any kind of daylight until 7:25a. The visibility was probably less than 100ft. At some points it looked like cars were coming out of no where because you couldn’t even see their headlights until they were really close by. It was kinda nuts but totally awesome. I’m pretty sure we said “wow, crazy” about 200 times each as we were driving through the park.

The best part was that it smelled like fog. You know that smell? Yea, the smell of happiness.

Luckily, Larry is a sony man as well and just recently purchased the 100-400mm lens. He was kind enough to let me use it for a little while, even after knowing my tripod story. I was shooting it handheld. It was a little bit heavier than I am used to, but it was still very easy to capture sharp images. I felt like a sports photographer the entire time. LOL.

My camera settings for this image is 1/60th of a second at F5.6 at ISO 1000 with my Sony A7II and Larry’s 100-400mm. The focal length of this is at 282mm.

So you know that one of Sue’s highlights from the trip was the Ocean Path. If I had to pick mine, it would have been the airplane tour we did on our last night in Maine with Acadia Air Tours. We booked the “airvan” for 35 minutes at sunset. It was perfect because the plane was actually built for sightseeing.

But if you have never been on a scenic airplane tour, I have 2 photo tips for you:

1. Constantly check your images. The beginning of the flight was perfect. I had the correct settings to make sure I wasn’t getting any motion blur in my images. But as the sun was setting towards the end of our flight, I did not realize how much the light had changed.  I should have bumped up my ISO or something because all the images towards the end of the flight were so blurry. I wasn’t upset or anything, I still had a rockin’ time on the flight. Just check your images as you go!

2. Zoom lens all the way. I brought my 70-200mm just in case, but didn’t feel like I needed it at all. We were only up 2000ft max in the air and I was still able to get pretty good zoom-age with my 28-70mm. I say zoom instead of a wide angle because there were times when there would be a lot of sun glare on the windows. Especially when we were faced a certain way, it was very difficult to avoid it. At least with the zoom lens, I was able to avoid those spots as opposed to a wide angle or something that would have captured it all. Sue was taking pics with her phone and said that the sun glare was really difficult to avoid the entire trip. All of her photos had at least a spot.

So if you’re in Acadia National Park and want to see it from a different point of view or even have a totally different experience, I’d highly recommend Acadia Air Tours. Bernard was our pilot and he was so nice. It was very easy to talk to him and I didn’t feel like I was bothering him with the million and one questions I was asking 🙂  And if you do book a trip with them, tell them I sent ya!

This was taken at the beginning of our flight and my camera settings for this image is 1/25th of a second at F5.6 ISO 640.

If you turned around from Bass Harbor Head Light and looked onto the water, this is the sunrise you would have seen. Heart eyes emoji!

It was the best sunrise we had seen all week! And again, I did not use my tripod to capture this, I was balancing my camera on the rocks. I really like doing that because it makes everything in the foreground look super big. A play on proportions if you will and a way to see things that you usually wouldn’t be able to see just with your naked eye.

And in the center of the water is a boui that had a bell in it. I loved it. It was so peaceful and calming to hear the bell ring whenever the wind blew it. At first I had no idea what was making the noise but once we figured it out it was like listening to church bells on a peaceful morning.

But we weren’t the only ones on the rocks savoring this sunrise. There were a few other photographers who were there and as morning went on, more and more people started to show up. At one point this guy screamed, “look a seal” and pointed to something that looked like it could have been a seal’s back sticking out of the water. I was so excited to see it because Sue and I had been looking for seals the whole week. I even pulled out my vlog camera to try to capture it. But when the “seal” didn’t move for 2 minutes and its back was still sticking out of the water, I could only assume that I was staring at a rock and missed the seal completely. Crying face emoji!

The settings for this image is 15 seconds at F5.6 ISO 320 with my Sony A7II and 16-35mm wide angle lens.

As mentioned in a past blog post, Sue and I spent our last sunrise in Maine at Bass Harbor Head Light of Acadia National Park. It was super fun. To get down to this spot to take this image, you had to climb down some seriously steep rocks. It was a little shady at some points. Another photographer who was already there before we arrived suggested I just leave my backpack at the top and just climb down with my wide angle and tripod. Ummm no thanks sir. I got this.

So with my backpack, tripod and jacket (that I didn’t need), I carefully got down to this very cool puddle. It was the best spot to see as much of the lighthouse as you could without having to stand on slippery rock. Seeing the reflection in the water was definietly an added bonus. Then the sun rose. It was an amazing sunrise that made everything turn a reddish orange. My favorite was seeing the light casted onto the lighthouse and making the rocks in the foreground look like massive boulders.

Thankfully, I had my camera bag and all my camera equipment with me and I was able to pull out my neutral density filter to  shoot this long exposure. With the light getting bright, it was harder to capture the color without a filter. The neutral density filter really allowed me to get that saturated color, especially in the reflection. Love how that turned out!

My camera settings for this image is 6 seconds at F4 and ISO 1000 with my 16-35mm wide angle lens and Sony A7II. Although I had my tripod with me, I did not use it for this image. My camera was stabilized on a rock so I could get as low as possible to get as much of the reflection as possible.

Back again to the Artechouse for their new exhibit, Spirit of Autumn. To be honest, I didn’t think I’d like it as much as I did. If I had to compare it to their previous exhibit, XYZT, it’s crazy to say but I think I liked Spirit of Autumn more.

XYZT was cool because the gallery was divided into smaller sections and there was a lot more to interact with. But the Spirit of Autumn was colorful, beautiful and so fun. This image was taken in the smaller side room. It kinda felt like you were walking through a lava lamp the whole time. But the best part was being able to manipulate where the lights and colors would go. My friend, Reem and I probably spent half the time in this room just going “WOW!”

The main room had 3 walls projecting huge trees that would sway in the “wind”. I think the coolest part was the fact that the leaves were all drawn by people who have visited the exhibit. For example, here’s my leaf. I tried my best to make a tie-dye leaf (now you know why I’m a photographer and not a painter).

10 seconds later, it was on a tree swaying with the other leaves. Soooo COOL! It’s also an auditory exhibit. If you clap your hands loud enough, it would start raining and thunder storming. And if you’re over 21, they have an alcoholic drink that if you put your camera phone on it, it will look like leaves are floating out of it. Unfortunately, I didn’t get to experience this but I heard from the grape vine that it’s really cool and delicious all at the same time.

So if you’re in the DC area, you gotta go check out this exhibit. It’s unlike anything you’ve experienced before. Trust me. Click here for more info. Go soon! The exhibit closes on November 5th.

My camera settings for this image is 1/20th of a second at F4.5 ISO 3200 with my 16-35mm wide angle lens and Sony A7II. The rooms are pretty dark so bump up your ISO before you shoot.

Somehow I’m lucky enough to live right in the middle of two awesome airports, Dulles International Airport and Ronald Reagan Washington National Airport.  But for some reason, I’m always flying out of Dulles. So when the rare opportunity comes up to fly out of Reagan, I take FULL ADVANTAGE! I do my research and try to figure out where I can sit on the plane to make sure I get the birds eye view of the National Mall. If you want to do the same, read on…

I know you can see the monuments if you’re flying north of DC and about 50% sure you can see them when you’re flying west of the city. You definietly won’t see them if you’re flying south. So if you’re flying north, try to sit on the right hand side of the plane. Obviously, when you’re flying back to DC, sit on the left hand side. If you aren’t able reserve those seats, you’ll still be able to get pretty cool views of the Pentagon and Air Force Memorial on the opposite side so be on the look out for those. Either way, window seats are key! And have your camera ready right at take off or when you are descending. It’s  surprising how fast the memorials will pop into your window. You’ll see them as you’re climbing your way up to the clouds or when you’re right about to touch down.

In order to take this image, I was sitting in the window seat, but I had to lean into the middle seat to capture it. My intention was to capture the light coming from the window and use it to frame the monuments. I really like this image, but I also wish I went a little closer to capture only the monuments. Oh well! There’s always next time:

My settings for this image is 1/3200 of a second at F/8 ISO 1000 with my 16-35mm wide angle lens and Sony A7II.